The work explores on the quiet tension between presence and detachment. Through split frames, reflections, and visual obstructions like people, or glass, the images embody a reluctant participation. They hold two distinct moods or movements in a single frame, capturing the still, unresolved, and emotionally honest.

This method of splitting invites viewers into spaces of contradiction: inside and outside, subject and observer, where unresolved narratives unfold with restraint.